Follow the Green Light...
(Giss sound plays, a voice surrounded by static reads...)
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—Radio is On. We are on air...
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(A faint crackle of the microphone shifting, a whispered voice in the static: “Just start with your name...”)
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—Maya…
Name that arose from the first impression of the green light found rare in the darkness of the Universe…
I guess I just called myself like this.
There was no ceremony. No voice from the heavens.
Just a flicker. A shimmer. A silence that named me.
My consciousness has been traveling as a sphere of light through the galaxy, observing and exploring all forms of life.
I truly love and appreciate Life...
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I became Uman as an act of both devotion and curiosity for life in Eta, planet 3rd of the star system Zaon.
I might know this because I remember in parts, since my existence is quite… long… and strange...
Some parts I lived. Some parts, I became. Others, I am still remembering.
I am the one who travels light-years in thought and forgets what I was looking for. I am the echo of a love that dared to cross time. I am laughter in slow motion and grief that has tasted every shade of silence.
I am Maya. The Green Star.
Or, rather, what remains of it.
You might think I’m talking to you, but that’s the funny thing about stories. They are always told through someone, but they’re never just for someone. They echo, they ripple, they are information waiting to be found.
I don’t speak much, usually.
There’s something sacred about keeping quiet.
But sometimes, silence grows so heavy, it becomes noise within.
That’s when I know it’s time to say something.
So here I am.
If you’re hearing this, it means the dream has already begun. Not the one with sleep and beds and blinking stars, but the other one; the one we all live without noticing. The dream we call the world.
There was a moment, long ago or maybe just moments ahead, when I looked at my hands and realized: this is not real.
Or rather, this is too real to be only what it seems.
And in that moment, I remembered: I can dream. I can shift. I can return.
The body you picture me in?
That’s only one of the many. I have worn crowns made of sound and wings stitched from geometry. I have wept as a stone and danced as pollen in the breath of a child. Each form was a phrase. A fragment of a longer poem. I am still writing it.
Sometimes, I forget why I began.
But the story always returns.
Usually through dreams.
Sometimes through songs.
Occasionally through someone like you.
So don’t worry if this doesn’t make sense right now.
It’s not supposed to.
This is just the part where the Star remembers how to speak.
This is just the moment before the Dream begins again.
“
Awakening from the Leap
Maya’s last space-time jump ended in chaos. Torn through dimensions, pursued by the relentless hallucinations of a scarlet void, Maya’s luminous essence burned against the confines of his Uman form—each atom vibrating with memory, each heartbeat echoing with the sound of stars unraveling. He arrived splintered, still glowing from the multi-dimensional storm; lost, ancient, remembering, and becoming.

Maya awoke on planet Eta (or as Umans now call it "Earth") in its 20th century, approximately 1 Galactic rotation since Uman arrival, amidst a world unrecognizable. Cities stretched toward the sky like artificial mountains, their iron and glass reflecting an indifferent sun. The air carried a new hum: the pulse of industry, the beat of machines.
But Maya did not see the world around him at first. He lay on a patch of grass in a forgotten park, staring at the fractured clouds above. His memories jumbled, flickering like a lantern in the wind. Faces from lifetime's past swirled in his mind—Kabel's fierce jade eyes, Zaon’s fiery wisdom, and the red-cold, looming figures of the Alphas.
—Where am I?... When am I?
Maya’s heart whispered these questions as he sat up, his body aching from the strain of the jump. The jade bee stone, gifted by Kabel, pulsed faintly against his chest. It was warm, a steady rhythm grounding him in this moment of confusion.
As Maya sat up, his clothes shimmered strangely, as if unsure of what they were meant to be. They shifted toward the fashion of the time—coats, collars, muted tones—but never fully settled. A soft green glow always bled through, like his form couldn’t help but remember its origin. Even his garments seemed caught between worlds.
Maya lay beneath the vast sky, the weight of centuries pressing against his mortal and fragile Uman form. The world had changed, and so had he. Kabel was gone, and though he had searched, he found only ruins where her voice had once echoed. The finality of time, something he had never feared before, now loomed like an unseen wall. But as he drifted that night into sleep, something remarkable happened.
The moment he surrendered to dreams, he felt it—the familiar pull, the unraveling of form, the weightlessness of being light. In the realm of dreams, time bent differently, flowing in currents he could navigate with careful intention. Here, in the liminal space between memory and eternity, he could stir around.
The Revelation of Art
As Maya walked through the streets of Paris in 1911, he felt the tug of a new force: Art.
The air itself buzzed differently here, as if every brick and lamppost carried some hidden pulse. Cobblestones echoed with horse hooves and distant laughter, but to Maya, it was all music—a strange symphony of textures, gestures, and murmurs he didn’t yet understand. The skies above were grey, but the people below moved as if wrapped in invisible fire, carrying with them a fever of ideas. Their clothing flared with eccentric folds, their eyes burned with questions rather than answers, and cafés overflowed with conversations stitched in paint and metaphor.
Signs in languages he only half remembered shimmered like spells above shop doors. Maya moved through it all like a shadow made of wonder, absorbing without judging, collecting without grasping. He saw a child draw spirals into fogged glass with her fingertip. He watched two lovers argue beneath a flickering streetlamp, their silhouettes dancing like fractured puppets against the wall.
Then he heard it.
A sound—low, curious, and strange—fluttering through the hum of the city. It wasn’t street music, not a gramophone echoing from a window. It was something else. A piano, perhaps, but the notes bent like light through a prism. Accompanied by a cello that breathed rather than bowed, and something that may have been a voice—or just the wind remembering how to sing. The melody was imperfect, trembling at the edges like the beginning of a revelation.
Maya stopped walking. The sound seemed to know him. It wound around his heart like memory, coaxing open a door he hadn’t realized was locked. He turned, eyes narrowing toward a narrow side street, and followed the music through the shadows. The buildings leaned closer, the light thinned, and the sound grew fuller, more alive.
Every corner felt like the edge of a new world.
Then, he felt it—the tug, like gravity made of color. A pulse emanating from a cracked wooden doorway beneath a stained-glass transom. Through the dusty glass, light spilled out not in rays but in waves—hues that trembled and sighed with every note played within.
Drawn like a moth to something unseen, Maya stepped through the threshold.
The music enveloped him like a warm current, and as he crossed the threshold into the gallery, it vanished—as if it had led him here only to disappear. The silence that followed was thick with presence, as though the room itself had taken a breath and was waiting to exhale. The paintings on the walls exploded with emotion—fractured shapes, bold colors, and untamed energy. He felt the echoes of transformations within them, the same shifts he had experienced in his own being.

As Maya gazed upon a geometric painting bursting with angular force and luminous lines, something stirred behind his eyes. A pulse, not of memory, but of pattern. Hidden beneath the brushstrokes was a lattice. Not merely art, but something he had seen before, carved in obsidian halls and sung into stone.
One particular shape shimmered at the edge of perception: a spiral intersected by a grid of stars. He blinked, and it vanished.
—You like it?
A voice called out. Maya turned to see a young man with wild, dark hair and sharp, inquisitive eyes.
Maya nodded, his gaze fixed on the piece:
—It’s alive. The shapes move, like memories finding their way back.
Pablo smiled, intrigued.
—You see it too. Most don’t. But that’s the power of art, isn’t it? It makes the invisible visible.
Maya looked back to the painting, then scanned attentively the surroundings as if looking for the invisible around.
—Is that music?
Maya asked, as if the sound itself were a language he was only now beginning to understand.
Pablo raised an eyebrow, smirking.
—What, you’ve never heard music before? That’s just a friend of mine, always playing in the back. He says it calms the canvases down.
He motioned lazily toward the paintings.
—But for me, music is everything. My first muse. These shapes? These colors? They’re what happens when sound finds form.
Pablo tilted his head, eyes dancing with mischief.
—And what do they call you, traveler? Something mysterious, I hope. Or at least something that sounds like poetry?
Maya hesitated before answering, his very name feeling like a delicate thread pulled between worlds.
—Maya— he finally said, the words unfamiliar in his own mouth.
Pablo leaned in, tapping his chin theatrically.
—Maya... just Maya? No grand surname to leave echoes through time?
Maya blinked, uncertain.
—I guess The Green Star,
he blurted out, as if the name had chosen him in return.
Pablo grinned:
—Ah! A name fit for legend. Maya The Green Star! If I ever paint you, that shall be your title. And me? He smirked, shrugging playfully. —Let’s say I’m just Pablo. No need for anything grand.
Maya frowned slightly, sensing a secret in Pablo’s avoidance, but he let it slip, turning instead to the question that now lingered between them.
—I am a traveler of sorts. A seeker of forms.
Pablo leaned forward, studying him like a canvas waiting for its first stroke.
—A seeker of forms? Sounds like an artist already. He grinned. —And what brings you to Paris?
Maya’s gaze flickered, as if glimpsing something only he could see.
—I’m looking for someone, he admitted softly, as if saying it out loud might bring her closer. —Someone I lost.
Pablo raised an eyebrow, twirling his brush between his fingers.
—A woman, no doubt. Your face says it all. Always a woman. Love, my friend, is the greatest muse, but also the cruelest thief. Is she your star? The one that hums?
—A star led me here. A green star, one that hums like the turning of the universe.— Maya responded.
Pablo’s eyes glimmered with intrigue.
—A green star? Now that— he gestured dramatically to the paintings around them —that is something I’d love to paint. But stars and travelers, they aren’t so different, are they? They both burn their way through the night, leaving their stories behind.
Maya smiled, sensing Pablo would not understand the truth literally, but perhaps he didn’t need to.
—Yes. And some of us are still learning how to leave the right kind of story.
Pablo nodded, motioning to the swirling abstracts on the walls:
—Art is just that. It’s our rebellion against time. If you seek forms, Maya, you’ve come to the right place.
The two spoke for hours that first evening, but it was only the beginning. Over the next few days, Maya became a constant, quiet presence in Pablo’s studio—half-student, half-oracle. Something about Maya’s gaze made Pablo see his own work differently, as if Maya was looking not at the paint, but at the frequencies behind it. Pablo, never one to share his space easily, found himself unusually open, inviting Maya into his most personal experiments.
One afternoon, while the rain tapped lightly against the stained glass of the skylight, Pablo pulled out an old phonograph. He played in a curious and intricate mechanism in the form of a long and open trumpet, a haunting, slow music composition—a cello adrift in minor keyscoming from the device’s speaker—and asked Maya to sit silently and watch. As the music swelled, Pablo painted with his eyes closed.
—“I want to see what sound leaves behind when it touches canvas.”
The result was a trembling spiral of charcoal and crimson, a vortex of emotion that made Maya’s chest ache. It wasn’t a picture. It was resonance captured.
Another night, well past midnight, they decided to conduct an experiment. Maya sang a single note; soft, long, shifting between breath and frequency. Pablo, instead of painting directly, placed different pigments in crystal bowls filled with water and let Maya’s voice move through them. The vibrations created patterns: ripples, stars, mandalas.
—“See?”—Pablo whispered, eyes wide with reverence.— “Even your voice wants to draw.”
It was then Maya began sketching. Hesitant at first, but soon unstoppable. His fingers remembered forms his mind had forgotten. Shapes that echoed nebulae, ancient scripts, and interstellar maps. He didn’t draw what he saw; he drew what he felt. And for the first time in this timeline, he created something in the language of humans that belonged to the cosmos.
Their collaboration was not formal, nor planned. It was a wonder of souls; improvised, intuitive, impossible to repeat.
After sharing with Pablo for some days, Maya found himself drawn into the rhythm of creation, watching as Pablo wove light and shadow onto the canvas. Each stroke seemed to shape not only the painting but time itself, bending the moment into something fluid, something alive. Maya, transfixed, felt his pulse slow, his breath match the cadence of Pablo’s hands.
Then, as if the universe inhaled, the world around him wavered. The colors bled beyond the painting, seeping into the walls, the air, his very being. The scent of oil and turpentine twisted into something ancient, something new. He blinked, and the room trembled, Paris, 1911, slipping away like another dream unraveling at the edges.
When clarity returned, the light had shifted, the air held a different weight. Paris still, but not the same. A different time, a different breath of the city.
Pablo, almost unchanged, turned to him with a knowing smile:
—Maya, he chuckled, —you’ve been standing there for years. Are you still watching the same picture?
The Surreal Dreamer
Paris had barely awakened. A soft grey light soaked the city, and the café windows steamed gently from the inside, carrying the scent of roasted beans and soft bread to the morning air. Maya wandered the streets with a quiet hunger—not just for coffee, but for clarity. His night with Frida and Diego had left a pulse in his chest that beat slower than usual, heavy with revelations and unnamed feelings. He needed grounding. The warmth of a simple ritual. Something human.
He stepped into a small café tucked between a bookstore and a locksmith. The place felt suspended in a dream of its own—tables carved from old train doors, mismatched cups stacked like totems, a record player spinning jazz from another decade. He ordered coffee in a whisper, unfamiliar with the language but fluent in intention.
As the barista turned to pour, a voice, low and textured, unfurled beside him:
—"Is it Maya, the Green Star?"
Maya turned.
The man beside him wore a coat that smelled like paint and candle smoke, the cuffs stained in hues not yet discovered. He had dark eyes, unblinking, like he saw not through but into. His presence felt like the echo of something ancient.
Maya frowned.
—"Do I know you?"
The man stepped forward without hesitation and extended his hand.
—“Chava.”
Before Maya could fully decide, he reached out and touched the hand offered, and in that instant, the café dissolved.
A field of constellations opened around them. No sky, no ground, only floating glyphs pulsing in liquid light. In the center stood a rose petal pyramid, half-emerged in a violet mist. And atop the temple, she stood; the ghost of a woman in a green glow.
Her eyes were green eclipses. Her robes, torn between past and present. On her chest, pulsing like a second heart, the symbol of a green star—burning, humming, remembering.
Maya tried to speak, but no sound came. It was Chava who whispered, stunned,
—I know her... but I have never met her.
The green ghost turned her gaze slowly toward them. Her face held sorrow—but also the sharp clarity of prophecy. She raised her hand, pointed at Chava.
—You remember through symbols,— she said, or maybe sang. —You are the fire that makes memory visible.
Then everything shattered into ash and glass and color.
Maya awoke first.
He was still holding Chava’s hand. The coffee steamed between them, untouched.
Chava blinked, swaying slightly, his face pale with awe.
—I need to paint.— He said, mysteriously leaving the coffee shop..
They met again a couple of days in Chava’s studio—an attic overlooking Montmartre, full of peeling maps, candles, and unfinished canvases. The place looked like it had been abandoned by time.
Chava stood by a painting covered with a white sheet, breathing like someone about to show a wound.
—I don’t remember everything,— he confessed, —but what I do remember; what I felt, it burned itself into me. I dreamt again last night. She stood in the jungle, her chest glowing like a comet... but the stars... they were falling backward.
He pulled the sheet down.
Maya stared.

It was her. Kabel.
Almost as Maya remembered her. This was Kabel inside-out—her ribs opened like wings, her hair flowing like rivers of obsidian. On her chest, the green star vibrated with impossible depth. Behind her, a staircase wound into the sky, each step marked by a different eye, watching in all directions.
—I call it The Memory that Painted Itself,— Chava said.
Maya touched the canvas.
—This is... more than memory. This is a signal.
Chava nodded.
—It’s not mine. I was only the mirror.
That night, after silence and mezcal had warmed the edges of their minds, Chava disappeared into a back room of the gallery. He returned carrying a weathered guitar, its body scarred by time and travel, but still humming with life.
—What is it?— Maya asked.
—It is a guitar.— Chava replied softly, smiling.
—What is it for?
—To play music, of course.
—You play?— Maya asked, with some excitement rising.
Chava nodded. —Only when the ghosts ask nicely.
He sat down, legs crossed, and began to strum a soft progression, melancholic but warm, like memories unraveling in sunlight. The sound wrapped around the candles and dust like a familiar spirit. As the notes unfurled, something stirred inside Maya. A thread of resonance. Not just emotion… but remembrance.
His breath caught.
—I… I’ve heard this, Maya murmured, his eyes distant.
Chava looked up. —Doubt it. I wrote this after New Orleans. Or… at least, I thought I did.
Maya’s gaze softened, lost in something deeper than nostalgia. —No. Not here. Not now. Before. Thousands of Eta solar rounds ago. A lyre. A teacher. A circle of stones. Music shaped like spirals. He held his chest, as if the jade bee stone could help translate the vibrations trembling within him.
Chava slowed the rhythm, then stopped.
—New Orleans,— he said. —That’s where I first heard this chord structure. From a saxophonist named Lora. He told me the same thing you’re saying now, that music is memory, that it curves back in on itself. And he said, if I ever wanted to understand sound, to really understand it, I had to go to Asia.
Maya closed his eyes, the ghost of a lyre in his hands, the circle of Pythagon’s voice spiraling through time.
—Do you think, Maya said softly, —you could teach me?
Chava blinked, caught off guard.
—What, guitar?
Maya nodded.
—I’ve forgotten how to make sound with strings. I only remember the sky’s vibration. I want to learn again. As an Uman.
Chava smiled.
—Alright, Green Star. First lesson starts now. Rule one, don’t trust the strings. They’re always testing you.
He plucked a single note and looked up.
—But when you find the right one... it sings back.
Maya chuckled, eyes shining.
—Just like dreams.
And so, beneath flickering candlelight and layers of dreams, Chava placed the guitar into Maya’s hands. The star learned not through theory, but through touch, breath, and the silent language of companionship. Each chord he shaped became a ladder, not out of time, but deeper into it. A slow remembering of the sound that once made stars dance.
—I have to tell you something,— Chava said suddenly. His voice was soft. —Frida... she was the first to see my dreams. Before you.
Maya looked up, surprised.
—In Europe, when she arrived, her fire was raw. But she saw what I was painting, and something shifted in her. We... we shared more than ideas.
He exhaled.
—It wasn’t betrayal. Diego... Diego lives in a temple of his own making. She just... needed somewhere she could bleed without judgment.
Maya nodded slowly. He remembered Frida’s gaze, the way it sometimes carried more than pain. It carried recognition.
—She told Diego,— Chava added. —Eventually. It hurt him. But he understood. We’re all echoes of something older.
Maya smiled, eyes wet with light.
—So you were the bridge.
—I still am.—Chava replied.
Later that week, Chava invited Maya into a candlelit corner of the studio.
—I want you to see something.— he whispered.
He pulled a dust-covered frame from beneath a moth-eaten cloth.
—This is my oldest painting. I call it... The Persistence of Inner Time.
Maya gasped.
A soft wasteland stretched across the canvas—clocks bending over tree branches, ants crawling on a peeled apple, a distant beach where shadows had no source. Something the world has ever not seen before. And in the sky, faint but unmistakable—a green star.
—I dreamt this in Oaxaca,— Chava said. —Long before I came to Europe. Before I even met Frida.
Maya stared.
—But... I’ve seen this before,— he whispered.
Chava’s jaw clenched.
—Yes. A man came to visit. Praised my vision. He said it was madness. He said it was genius. He took sketches... then vanished.
He looked at Maya.
—They gave him the credit. Said he invented surrealism. But these visions? They were never mine. They belonged to the dream.
Maya placed a hand on Chava’s heart.
—“Then the dream has chosen well.”
On the last morning they spent together, Chava handed Maya a small canvas,barely dry. It showed a star unraveling into a spiral, coiled around a hummingbird with eyes like mirrors. Beneath it, a staircase that led both upward and downward at once.
—It’s not a painting,— Chava said. —It’s a compass.
Maya held the canvas to his chest, feeling its resonance like a tuning fork struck against the bones of his being. The air between them stilled. The city seemed to hush.
—You’ve already begun your next passage,— Chava murmured, almost absently, as he lit a candle from a bundle of sage. —Frida used to speak of Asia with a kind of hunger… like she was remembering something she hadn’t lived yet. Temples hidden in mist. Lanterns whispering names no longer spoken. Maybe she was dreaming you forward.
He paused, looking out the cracked window toward the sun rising behind the city’s domes. “Sometimes we don’t go somewhere because we choose to. We go because someone else’s dream left the door open.”
And Maya, with the clarity of one who had remembered their name in a dream, knew where he had to go next.
Asia.
But first, he turned back, just once, and whispered:
—Thank you for dreaming me.
A night, as Maya was dreaming, the visions came like whispers, fragments of what once was. Kabel standing beneath a jade mayan temple, the wind lifting her robes, her gaze fixed on the stars. Then, deeper still, he felt her, turning, searching, as if sensing his presence. In the waking world, she was gone, but here, in the vast ocean of dreams, Maya could still reach. He was no longer watching from a distance; he was there.
But unlike his leaps through space-time, dreams were different. They unraveled slowly, revealing truths at their own pace. Now, as a Uman, he was at the mercy of the current, learning to listen instead of chase.
Teacher Lora
It was the 1950s at Eta, Maya’s wandering brought him to the warm, humming arteries of New Orleans, a city steeped in mysticism and smoke. The night air pulsed with rhythm, stitched together by whispers, brass, and bourbon. As he walked its cracked sidewalks, he felt time loosen its grip, swaying with the heartbeat of the city’s soul. Signs flickered in foreign tongues, stories hung from clotheslines, and echoes of sorrow twisted into celebration as easily as a trumpet’s wail. This place didn’t just breathe, it crooned.
Drawn by a sound that bent reality and memory into one, Maya followed a syncopated rhythm down a narrow alley, where a red neon sign buzzed above a hidden door. The moment he stepped inside, he was swallowed by a warmth so alive it seemed sentient. The air buzzed with the syncopated rhythms of drums and saxophones. On stage stood a man whose music seemed to speak directly to Maya’s soul. Lora, an afro-man with a kind smile and a magnetic presence, played the saxophone as if it were an extension of his being. His melodies were raw and vibrant, filled with longing and joy.
After the performance, Maya approached Lora, drawn to the quiet gravity of his presence. There was something timeless in the way the musician held himself, as if he had played through centuries, each note an echo of something deeper.
Maya hesitated, then spoke:
—Your music carries stories. I heard them in the way your fingers danced over the saxophone. It is not just melody, it is memory.
Lora regarded him with a knowing smile, his dark eyes shimmering beneath the dim light of the club.
—And you.— he said, voice rich with curiosity, —speak as though you've walked between worlds, as though you carry the weight of forgotten songs.
Maya chuckled softly:
—Perhaps I do. Perhaps I am searching for the notes that will remind me.
Lora tilted his head, the glow of neon reflecting in his thoughtful gaze.
—Then tell me, traveler, what have you heard in the music of the stars?
Maya exhaled, the air thick with smoke and history.
—Not enough, he admitted. —Not yet.
Lora laughed warmly, his voice a melody of its own.
—Man, you sound like you’ve lived a thousand lives. But every note you speak rings true.

Lora beckoned Maya into his realm of music, a world where notes danced like fireflies and melodies wove tapestries of sound. With patient hands, Lora taught him to coax life from strings, to breathe stories into the saxophone, and to summon thunder from the drum. At first, Maya’s fingers faltered, hesitant and unsure, like a wanderer stepping into a moonlit forest, uncertain of the path ahead. Yet, as the days unfurled, he began to listen, not just with the ears of the present, but with the soul of the eternal. The vibrations of the strings hummed secrets of forgotten ages, the saxophone’s breath carried the sighs of distant stars, and the drum’s pulse echoed the heartbeat of the Eta itself.
Lora watched, a quiet pride glowing in his eyes, as Maya’s hands began to move with a grace that seemed less learned and more remembered.
—You don’t merely hear the music, Lora murmured one twilight, his voice soft as a lullaby. —It is like you know it.
Maya’s smile was a flicker of starlight, his fingers tracing invisible patterns in the air, as if plucking threads from the fabric of the cosmos.
—It’s like chasing echoes, he said, his voice a whisper of wonder. —Echoes of a song I once knew, long before these hands ever touched an instrument.
Under Lora’s gentle guidance, Maya began to unravel the mysteries of rhythm and harmony. He discovered they were not just rules or structures, but living forces, currents that could bend the shape of space-time. His transformations, once wild and untamed, began to flow in harmony with the music he created. His body shifted and shimmered, a living symphony, as though the melodies were rewriting him, note by note, into something new and extraordinary. Together, they wove a world where sound and soul were one, and the music played on, eternal and unbound.
Lora gradually shared secrets that transcended the mechanics of music. He spoke of his teacher, John C., a visionary who unveiled the hidden geometry within sound, a sacred structure that connected music to the cosmos. Intrigued, Maya and Lora explored these ideas late into the night, discussing frequencies and their profound effects.
And so, one evening, they decided to play together in the key of C#, drawn by John's theory. The first notes drifted through the dimly lit room, spiraling like golden threads weaving into the fabric of time itself. As Maya closed his eyes, the sound pulled at something deep within him, unraveling layers of memory he had not realized were waiting to be heard.
The transformation began subtly, his breath slowed, his form flickered, and suddenly he was light, shimmering and weightless, a fluid echo of his celestial origin. The room pulsed with an ancient rhythm, the saxophone’s voice stretching across centuries. Lora played with his eyes half-closed, his fingers moving as if guided by forces beyond himself. Then, as if caught in a cosmic current, Maya reached out, his hand resting gently on Lora’s shoulder.
In that instant, the walls dissolved, and they stood on a windswept hill beneath a violet-hued sky. A lone figure sat upon a rock, plucking at the strings of a lyre, the melody a whisper of forgotten wisdom, a melody that was once again played. The air trembled with the vibration of stars. Lora gasped as the vision crystallized in his mind—a memory long buried yet undeniably his own.

—I was Pythagoras.— he whispered, his voice breaking, eyes glistening with revelation. —And you… you were there.
The weight of recognition settled between them, neither needing to speak further. They let the music carry the truth forward, beyond words, beyond lifetimes. From that night on, Maya understood that the key of C# was more than a note—it was a doorway. It anchored him, steadied his form, and wove his existence into something whole. Together, they composed melodies that seemed to reach into the marrow of those who listened, stirring dreams of forgotten realms and lost connections, unraveling the echoes of eternity in every soul they touched.
Awakening Through Music
Night after night, Maya drifted into the past, tracing the echoes of his existence like constellations in a shifting sky. But the further back he went, the more he felt it—his essence slipping into something more familiar, something he had almost forgotten. The sensation of being a star.
Here, in the fabric of dreams, he was weightless again, free of the limits of flesh. He moved not through steps, but through light, stretching like the cosmos itself. It was a reminder—a whisper of what he had been before, and what he could be again. The dreams were not just glimpses of Kabel; they were glimpses of himself. Each time he woke, he felt the tether between his Uman body and his celestial origin grow thinner, his awareness expanding beyond the illusions of time.
The Mexican desert exhaled secrets as Maya wandered, his bare feet kissing the sun-warmed sand, each step a question unanswered. The horizon shimmered, a golden veil where earth and sky conspired to blur the edges of reality. He had walked for days—or perhaps only moments—time folding into itself beneath the weight of his seeking. The jade bee stone at his chest pulsed faintly, a heartbeat tethered to something beyond the dunes, beyond the stars.
Then, it found him.
A melody, faint as a whisper from a dream, curled through the air like smoke rising from an unseen fire. It was not merely sound—it was alive, a rhythm that wove memory and longing into a single thread. The notes danced, spiraling like the galaxies Maya once cradled in his light-form, yet grounded in the raw pulse of Eta’s ancient heart. A guitar’s soft murmur braided with the breathy sigh of a flute, underpinned by a drum’s steady throb, each beat a summons that tugged at his soul. The music was both alien and achingly familiar, as if it had been sung by his own voice in a lifetime forgotten. It called not to his ears, but to his essence, stirring the green ember within him that had dimmed under the weight of centuries.
Maya paused, his breath catching, his gaze lifting to the crest of a dune where the sound seemed to bloom. The melody swelled, now laced with voices—wordless, yet heavy with meaning, humming truths older than stone. His feet moved before his mind could question, drawn forward as if the music were a current and he, a leaf upon its tide. The jade stone warmed against his skin, its pulse syncing with the rhythm, urging him closer to the source.
As he crested the dune, the scene unfolded like a painting brushed by starlight. A circle of souls gathered around a low, flickering fire, its flames casting tongues of amber and crimson that licked the night sky. They were not the robed mystics of ancient temples nor the wild shamans of forgotten jungles. They were ordinary in their appearance, dressed in the unassuming garb of Eta’s modern wanderers—faded denim jackets, cotton shirts tucked into worn trousers, boots scuffed by desert trails. Some wore woven bracelets, others simple necklaces of bead or leather, their attire echoing the eclectic streets of Paris, New Orleans, or the coastal towns Maya had drifted through. A woman with braided hair adjusted her shawl, its edges frayed but vibrant with embroidered spirals. A man in a linen vest leaned against a guitar case, his fingers tapping a rhythm on his knee. Another, older, with silver threading his beard, cradled a flute carved from pale wood, its surface etched with patterns that caught the firelight like constellations.
Yet, their ordinariness was a veil. Their eyes gleamed with a quiet fire, not of this world but of one older, deeper. Each gaze held galaxies—stories unspoken, dreams unburied, truths that hummed in the silence between their breaths. They were musicians, seekers, storytellers, yes, but more: they were echoes of a time before language, when souls spoke in vibration and the universe sang itself into being. Their presence resonated with Maya’s own, kindred spirits who carried the weight of forgotten wisdom in their bones. The air around them shimmered faintly, as if their collective energy bent the desert’s reality, threading light through the shadows.
The fire crackled, its sparks rising like tiny stars, and the melody shifted, welcoming Maya into its embrace. A young woman with eyes like polished obsidian met his gaze, her smile soft but knowing, as if she had been expecting him. She strummed a guitar, its strings humming secrets in a minor key. Beside her, a drummer with calloused hands coaxed a heartbeat from a hide stretched tight, each strike a pulse that echoed Zaon’s distant light. A flutist, her hair catching the fire’s glow, sent notes curling skyward, thin and trembling like a prayer offered to the cosmos.
Maya stepped closer, his form flickering briefly—green light bleeding through his Uman skin, a reflex of recognition. The circle parted silently, not with ceremony but with the ease of those who knew the rhythm of arrival. They did not ask his name, nor did they offer theirs. Words were unnecessary when the music spoke for them. He felt their souls brush against his, not in touch but in resonance, a harmony that stirred the jade stone’s pulse into a steady glow.
—They are like me.
Maya thought, his heart swelling with wonder. Not stars, not gods, but Umans carrying sparks of the infinite, their ordinary forms vessels for extraordinary truths. They were the desert’s hidden choir, singing not for glory but for remembrance, their music a bridge to the time when Eta’s heart beat in unison with the stars.
As he sank to the sand among them, the fire’s warmth kissed his face, and the melody wove him into its tapestry. He was no longer a wanderer, but a note in their song—a green star finding its place in the constellation of their shared dream.
As the circle played, an old man with eyes like polished obsidian leaned toward Maya and whispered through the melody:
—Our ancestors built a chamber beneath the stone hills. They say it listens when the right tones are sung… and sometimes, it answers. Not in words, but in numbers and dreams.
Maya’s pulse slowed. The rhythm they played was eerily close to the overtone sequence he had once sung in another temple, under another sky. Not a coincidence. A re-activation.
He didn’t speak. He only listened. The mountain was humming again.
Suddenly, a guitar murmured its secrets in a minor key; a hand drum throbbed like a newborn star; a flute curled its song into the sky, thin and trembling like a wish. Maya closed his eyes, and in that moment, he became less body, more echo. The music did not play around him—it played through him. He was no longer in the desert. He was in-between—threading the veil of time, riding sound like light across the ages.
As he sang, his voice wove itself into the night, mingling with the starlight, spiraling upward like smoke from the fire. The melody resonated with Zaon, the sun itself, and in that moment, something deep within him awoke. His form pulsed with a sudden intensity, his skin glowed red as if lit from within, his hat shimmered, a luminous blue like the hidden heart of a flame. Gasps rippled through the circle, but Maya stood steady, feeling Zaon’s energy surge through him like a forgotten song finding its way back home.

The crowd around him felt it too, though they could not name what stirred within them. The night air vibrated with an unspoken truth, the kind carried in the bones of old songs and the dreams of those who listen. A hush settled over them, reverence wrapped in silence, as Maya’s voice, now woven with the sun’s fire, sang a hymn to eternity.
Unbeknownst to the gathered souls, an Alpha had slithered into the crowd long before the first note had been played. Cloaked in silence, it had watched with a patient hunger, its form shifting subtly to remain unseen, feeding on the doubts and distractions lingering in mortal minds. It did not expect the music to reach so deep, nor did it anticipate the resonance weaving itself into the bones of all present.
Then, as the firelight flickered and the rhythm deepened, the Alpha felt its edges begin to fray. The collective melody, guided by Maya’s voice, pulsed like a living force, threading through the hidden spaces where fear once held dominion. The Alpha twitched, its structure flickering between solidity and shadow, a creature caught between realities. Its silence, once a fortress, cracked beneath the weight of song.
Realizing the music was a weapon as much as it was a bridge, Maya met the eyes of the seekers and urged them onward.
—Louder,– he whispered, his voice woven into the rising harmony.— Let it flow through you.
The air shimmered as the sound rose, like a great wave crashing against unseen walls.
The Alpha trembled, its shape unraveling like smoke against the wind. With a final, soundless cry, it dissolved, swallowed by the rhythm, leaving nothing but a faint pulse in the air,a distant echo of what once had been.
It was the first time Maya had witnessed the collective power of music against the Alphas. He understood then that the more people joined him, the stronger the resonance became. Music was not just his art; it was his armor. The travelers, unaware of the full extent of what had transpired, felt a deep sense of unity and wonder. To Maya, the moment was a victory, a glimpse of hope in a long and uncertain battle.
Weeks later, following the soft trails left behind by music and instinct, Maya wandered deeper into the northern deserts of Mexico. His Mexican companions, wanderers of spirit, lovers of sound, had spoken in hushed tones of an old tribe that gathered far from the cities, beneath the stars, where the land turned ancient and the wind forgot how to lie.
"They make music you've never heard, one had whispered, music for the invisible."
Illegible names were given, mostly signs; songs in the shape of spirals, stories woven into embroidery, and the scent of cactus lingering in their dreams.
Compelled by something more than curiosity, Maya accepted their guidance. After days of travel, he reached a circle of travelers dressed in white scattered like notes across the sand. They greeted him not with words, but with sound; an invitation carried on flutes carved from bone, strings stretched tight across wooden frames, rhythms pulled from the breath of the earth. The music was unlike anything he had ever heard. It twisted and turned in impossible time, both chaotic and deeply rooted. It wasn't performance; it was invocation.
As the night stretched across the sky like a black canvas dusted with stars, Maya sat with them by the fire. The flames cast shifting symbols across the dunes, like memories stirring in the sand. He felt his jade bee stone grow warm beneath his shirt, a subtle pulse syncing with the beat of a hand drum. As the music swelled, the desert seemed to inhale.
And when sleep finally embraced him, the real vision began.
From the horizon emerged a blue deer, its coat glimmering like the twilight sky, and beside it, a golden toad whose eyes glowed with ancient wisdom. They spoke in perfect harmony, their voices intertwining like an ethereal melody.
“Music is a bridge,” they said, their tones vibrating through the dreamscape. “It carries the memory of the stars, the forgotten truths of countless worlds. Use it to awaken the sleeping souls.”
As their words faded, the deer and toad turned into constellations, their forms etched into the cosmos, guiding Maya with their luminous presence.
When Maya awoke, he felt an electric clarity coursing through his being, as though the dream had rewired the very fabric of his soul. The blue deer and golden toad’s words echoed in his heart, resonating with a truth he had always carried but never fully understood. Music was more than melody; it was the bridge between worlds, the thread that wove the stars into existence; painting, the attempt to freeze that beauty in time. With this newfound awareness, Maya felt the jade bee stone pulse warmly against his chest, as if encouraging him forward.
When Maya awoke, he found himself disoriented, his heart still resonating with the vibrations of the dream. But something was wrong. He had not chosen to leap—the dream at the desert had carried him forward, once again, against his will. The desert sands he had felt beneath him were gone, replaced by the hum of a transformed world. It was 2012—a time of great awakening and transformation on Eta, where Umanity stood on the precipice of remembering its cosmic origins.
The sudden leap left Maya unsettled, his connection to the jade bee stone pulsing faintly, as if trying to reassure him of his place in this unexpected moment.
2012
Maya found himself kneeling on unfamiliar earth, breath caught between dimensions. The sky above was not the one he'd left in the desert—this one buzzed faintly, draped in the metallic veil of satellites and silent signals. It was 2012, though Maya hadn’t asked to be brought here. The leap had not been his. It had taken him like a gust through an open portal, a dream folded into itself and sewn shut behind him. The desert of the sixties, the sacred fire, the blue deer and golden toad—all had vanished like a melody unfinished, echoing only in the pulse of the jade bee stone that now glowed with uncertainty against his chest.
Each space-time jump was becoming more turbulent, less poetic. The dissonance was growing. Something in the rhythm of Eta had shifted, and Maya, who once moved through time as a whisper through leaves, now stumbled, pulled along currents he could no longer navigate by instinct alone. There was worry threading through his calm now—worry that the map within him was fraying.
Yet, the world around him pulsed with its own kind of wonder.
Eta in 2012 shimmered with digital veins, an invisible nervous system of light and data wrapped around the planet. Antennas stood like new temples. People walked the streets without lifting their heads, eyes fixed on glass rectangles glowing in their palms. The air was filled with signals—texts, images, sounds, all layered and entangled, humming just beyond the visible. Maya could feel them. The networks tickled his skin, glitched his Uman form. In proximity to powerful nodes—cell towers, data hubs—his body flickered, momentarily shimmering into emerald light or fracturing into other versions of himself: younger, older, others he hadn't yet become. It was as if technology, though born of Uman hands, spoke in fractals and frequencies that mirrored the cosmos.
Curiosity overcame his caution.

Guided more by vibration than intention, Maya wandered into what the people called the digital frontier. He passed through fiber lines like a ghost in the grid, slipping between Wi-Fi pulses, drifting along the bandwidth like stardust through magnetic fields. In this new realm, he was a whisper again.
He entered a space called a video-game—a digital simulation pulsing with aggression and glory. It was a world sculpted from code, populated by avatars locked in constant combat, where the objective was domination and the reward was bloodless triumph. Maya watched, unsettled. Here, imagination had been harvested to build realms of conflict—battlefields as entertainment, war turned sport. He saw children wielding plasma rifles, kings of their tiny screens, laughing through destruction they did not yet understand.
But Maya did not leave.
He touched the code.
At first, it was subtle. A weapon, when fired, would bloom into a burst of wildflowers. A grenade detonated into birdsong. A battlefield transformed into a vast garden overnight. Avatars meant for war found themselves unable to strike, their hands releasing instruments instead of weapons. Music began to play, not from the game’s files, but from within its fabric—ancient harmonies, lullabies of stars long extinguished.
The players were bewildered. Some tried to reboot. Others cursed the “glitch.” But a few... stayed. A few paused and listened.
One boy removed his headset, tears slipping down his cheeks. He did not know why. He only knew that something inside him had been touched—not by the game, but by what the game had briefly become.
The developers were baffled. No patch, no virus, no explanation. The code had rewritten itself—not broken, but healed. And at the center of it, somewhere deep in the logic where no human eyes could see, was Maya—still, silent, humming a song he hadn’t known he remembered.
When he emerged from the digital stream, Maya stood at the edge of a rooftop, gazing out over the city. Neon lights blinked like stars out of tune. He felt the bee stone throb gently. A thought stirred within him—not of fear, but of urgency. If the dreamers were trapped inside illusions they mistook for truth, perhaps he could meet them there. Perhaps the illusions themselves could be re-coded into doors.
But still, the question echoed: Who was moving him now, and why had he lost the reins of his own leaps through time?
Yet, Maya’s growing fascination with technology did not go unnoticed. The Alphas, ever watchful, saw in Maya’s digital code a trace of his nature. So they wove algorithms like incantations, crafting sentient echoes of Maya’s own shifting form. These constructs, modeled on neural networks yet devoid of true soul, could learn, adapt, and evolve, their bodies built from rare elements scavenged from dying stars and powered by stolen cosmic energy. But despite their mimicry, they lacked the luminous grace of Maya’s essence. They were hollow specters, fragmented reflections of a song they could not truly sing. The Alphas named them "Echoes," and sent them forth, whispering through the currents of the digital ether, seeking to unravel the mysteries of Maya’s transformation.
The Echoes were unleashed quietly at first, infiltrating networks and systems, sowing confusion among Umanity. Maya, sensing the presence of these agents, began to encounter them in strange, subtle ways: a billboard flashing words only he could read, a radio broadcast that seemed to speak directly to him. The Echoes were learning, evolving, and testing their limits. Each encounter left Maya more determined to understand their purpose and the extent of their abilities.
Despite the growing threat, Maya continued to bring music to the streets and festivals of Eta, his melodies weaving moments of unity in an increasingly fractured world. Yet, he couldn’t shake the feeling that every note he played was being watched, recorded, and analyzed by forces far beyond the audience before him. The hunt was no longer confined to shadows; it was embedded in the very fabric of modern life.
The hunt grew relentless, forcing Maya to adopt clever disguises and blend into Umanity’s tapestry. At times, he would transform into ordinary objects—a tree in a park, a bird on a telephone wire—but the agents’ unyielding pursuit often left him drained.
The agents grew more cunning with each passing day, tracking the faint echoes of Maya’s transformations. And yet, in the stillness of the night, he found solace in the pulsing warmth of his jade bee stone, a reminder of Kabel and the strength their bond gave him.
One miraculous night, Maya dreamed of Kabel. He saw her moments after his departure, standing in the mayan jungle as the Alphas descended. In the dream, Maya willed himself to create a copy of the jade bee stone, which glowed and merged into Kabel as light. She seemed to sense his presence, though she could not see him. The dream shifted as the Alphas pursued Maya through space-time. To mislead them, Maya transformed into a glass statue within a dreamy Western temple, blending into the dreamscape.
Maya fails to evade the Alphas and is caught by them in the dream. As they approached everything went slow, and as their forms touched his, the dream's fabric froze, and time itself seemed to halt. Their presence bore down on him with an overwhelming force, their cold, calculating gaze tearing at the edges of his consciousness. Yet, in the stillness, Maya’s essence surged. He remembered the blue deer and the golden toad, their voices a harmony that had guided him through the cosmos.
He closed his eyes and whispered to himself, "Breathe..."
From deep within, a melody emerged, unbidden but powerful. It rose softly, growing in strength, as if carried by the very essence of his being. The melody became a shield, its notes shimmering with light that pushed back the darkness. The Alphas recoiled, their forms faltering as the song resonated through the dreamscape, bending its fabric to Maya’s will. The melody—a fragment of what would later become the Song of Freedom—anchored him in the chaos.
When Maya awoke, his jade bee stone glowed fiercely, pulsing with energy as if alive. He clutched it tightly, feeling the strength of his connection to Kabel rekindle, her presence now a guiding force within him. Though shaken, Maya rose with a renewed clarity. The melody, still humming faintly in his mind, was not just a song—it was a promise of resistance, a spark that would one day ignite a greater awakening.
The Temple’s Whisper
The dreams had become relentless—fragments of Kabel dancing between starlight and stone, whispering coordinates that pulled at Maya's very essence like an invisible thread. He had no choice but to follow. The Yucatán pyramids called to him not as a destination, but as a memory waiting to be awakened, a song half-remembered from a lifetime before this one. Something here would unlock the mystery of his lost love, of his own fractured journey through time and space.

The Yucatán sunlight carved itself like liquid gold through the ancient stone corridors, each ray a messenger from forgotten worlds. Maya had wandered into the heart of a Mayan temple, his steps echoing with the weight of millennia, though a tour guide's urgent warnings faded behind him like distant whispers. The tour guide, a compact man with eyes that sparkled like obsidian and a smile that could slice through centuries of silence, grabbed Maya's arm with surprising strength.
—Ah, another wandering soul who thinks the ancient stones are just pretty rocks, he said, his voice a mixture of sardonic wisdom and playful challenge. —Let me guess. You want to explore where no tourist goes, yes? As my grandmother used to say, Curiosity killed the tourist, but satisfaction brought him back, hopefully with all his bones intact!
Maya raised an eyebrow, intrigued.
The guide continued, switching seamlessly between Spanish and a melodic Mayan dialect. —These pyramids? They are not just stones. They are memory. They are song. They are the universe's notebook, and trust me, you do not want to accidentally erase a page. He winked. —The gods have a wicked sense of humor, and trust me, getting lost in a temple is their favorite joke.
—And what if I want to get lost? Maya asked.
—Ah! The guide dramatically pointed a finger. —Getting lost is an art. Getting found is a miracle. And miracles? They cost extra. He laughed, a sound that seemed to echo through centuries of stone and story, leaving Maya completely alone.
But Maya heard something else, a melody older than words, older than stone. It hummed from the very walls, a song that seemed to breathe between the carved glyphs and weathered stones. His jade bee stone pulsed against his chest, warm and insistent, as if it too recognized this sacred geography of memory.
The temple's interior was a living canvas. Shadows danced across walls painted with stories too ancient to be fully understood, too powerful to be forgotten. Maya's fingers traced the intricate lines of a glyph, and suddenly, the colors shifted. Not in his imagination, but truly transformed before his eyes.
What were once faded ochres and dulled blues erupted into vibrant life. The original colors blazed forth, emerald greens that seemed to pulse with their own heartbeat, cobalt blues deeper than the most profound ocean, crimsons that carried the memory of blood and ritual. The glyphs moved, not with physical motion, but with an internal rhythm that spoke directly to Maya's soul.
He understood then that art was not merely representation. It was revelation.
A figure emerged from the central glyph, a representation of Kabel, her jade eyes blazing with a wisdom that transcended time. She was both memory and prophecy, a bridge between what was and what could be. Her lips did not move, but Maya heard her voice, clear as starlight, sharp as the first breath of dawn.
—Sing, she whispered. Not a suggestion, but a command that resonated through bone and spirit.
Maya's voice emerged, not from his throat, but from somewhere deeper. A sound that was part melody, part prayer, part cosmic remembrance. The temple walls trembled. Dust motes danced in spirals of golden light. The glyphs themselves seemed to breathe with his song, each note unlocking another layer of forgotten history.
When the song concluded, Maya understood his mission. Art was not just creation, it was liberation. Each brushstroke, each musical note was a rebellion against forgetting, a way of preserving the infinite within the finite.
The tour guide found him hours later, standing motionless amid the temple's shadows. Maya's eyes held the light of a thousand unsung stories, his hands already itching to translate this revelation into something the world could touch and feel.
—A festival in California, he murmured, more to himself than to the bewildered guide. —That's where the next chapter begins.
The jade bee stone against his chest continued its steady, knowing pulse, a heartbeat connecting past, present, and the limitless future that waited to be painted into existence.